For almost a year now, I have been the co-host of a live Twitter chat for romance writers called UKRomChat. I love it and should have blogged about it well before now. We are for both newbie writers and published authors alike, and can be found at #UKRomChat on Monday nights from 8-9pm, UK Time. We’re all about the HEA, but GMT or BST. There will be Jamie Fraser from Outlander GIFs…
But better late than never, and today I have news… We’re recruiting!
Head over to Facebook to see what the role of Reader and Co-Host (job share) involves.
Keep an eye out for friend of #UKRomChat, Rebecca Duval‘s debut novel, gothic romance ‘Out of Sight.’ The cover is lush and from the blurb, the book sounds awesome. Pre-order from 14th May on Amazon.
Novel writing competitions offer exciting opportunities for newbie writers, but putting together an entry may seem like a daunting task. Here I hope to offer some useful tips on how to prepare and assemble your entry.*
I can’t quite believe it’s been a year since I stumbled upon the Harlequin Love Inspired #AmishBlitz, on the So You Think You Can Write website and blog. I definitely can’t believe that I received a full manuscript request in response to my entry. I must have done something right… I also recently submitted to the HarperImpulse Great British Write Off competition (wish me luck!), building on my #Blitz experience.
Harlequin #Blitzes are part writing competition and part calls for submissions. They are a great opportunity to get your romance novel or WIP on the desk (or screen) of a Harlequin Editor. There is no winner, instead entrants skip the slush pile and receives valuable editorial feedback.
The three components that Harlequin request for a #Blitz submission are, from what I’ve seen, the same as those gernerally required in novel writing contests. You will need to produce a cover letter, a synopsis and a sample of the novel e.g. the first chapter or first three chapters. To do this well, you absolutely need to do your homework.
The Writing Sample and Synopsis: Preparation
Before writing your chapter, or chapters, and your synopsis, you need to lay solid foundations.
Read as many recent books released by the publisher/imprint that is running the contest as you can. If the competition is looking for titles for a particular line, make sure that’s where you go looking. When Harlequin Love Inspired was seeking Amish Romances, a Love Inspired Suspense set in the ‘Englisch’ world wouldn’t have been the most useful choice. LI editor Emily Rodmell offers useful and general #pubtips on Twitter and Facebook. She recommends reading “at least three recent books from the line” before submitting to Love Inspired or Love Inspired Suspense. As well as content, pay attention to style, tone, POV and structure.
Research/World-Build
One of the most common writing tips is ‘write what you know’. I’d say that applies even more if you’re entering a competition because you will be up against a deadline. Setting your novel in a place you are familiar with, or creating a character who works in the same profession as you, will get you off to a great start. But remember you need to write what is being asked for, so this may require time spent on research and building your characters’ world.
If you are writing a contemporary romance set in a real place, you won’t need to concern yourself too much with research and world-building. Just make sure you have an overview of things like language, system of government, currency and the key aspects of your characters’ work lives. If you are writing fantasy or science-fiction, you will need to do more preparatory work. I don’t write in these genres, so I had a look about for specific advice. Since we are focussing on competitions with closing dates, this article on quick world-building by Annalee Newitz the may be of some use. (Note: The language is a little bit impolite in places.)
Going into the #AmishBlitz I knew next to nothing about the Amish, bar the usual stereotypes. I hadn’t even seen Witness! As well as read-read-reading Love Inspired Amish Romance novels, I also found and ordered two memoirs about Amish life and an educational DVD, and used various informational websites. The Amish genuinely do live in a world of their own, so I had a fair bit of research-informed world-building to do. Before I started writing about an Amish community, I gathered information about the Amish religion, as well as Amish history, culture and values.
Your research, and world-building, aim should be to know in your head everything about everyday life in your world, as well as the terrain, geography etc., even if all the details don’t make it onto the page. These two YouTube tutorials from Vivien Reis offer a great introduction to world-building:
Edit 6 March 2018: In this Book Riot article about world-building an invented African country, author Alyssa Coyle a talks about “adding layers,” and of wanting to “make a fictional location that could be in our reality, but serves as an additional layer of fantasy.” She explains her method and inspirations.
The synopsis element of the #AmishBlitz entry requirements filled me with dread. How could I write something I had never even seen before? I’d learned about literary critics from my creative writing teacher, so I decided to go down that route. I paid $60 for a synopsis critique. The package included copies of three synopses of published novels on which to base my own synopsis, and crits of up to three versions of it. As I completely changed my story after my first draft, I didn’t get the opportunity to produce a finely polished synopsis using a critic’s notes. I’m sure this would have been useful, however for me the examples were key.
I can’t share an author’s copyrighted work, but luckily since then I have found a writer who will happily provide you with a free copy of a synopsis. Contact NaNoWriMo mentor Darynda Jones here if you would like to see one of her synopses, plus a longer outline.
Your synopsis should tell your whole story. Don’t hold back the end! Include strong hooks and make the conflict clear. Who is/are your main character(s)? What are their motivations and goals and what is getting in the way? My list of free online writing resources can help you with plotting. Check out the links to pages on the Story Mastery, Live Write Thrive and Ankara Press websites, and Tim Stout’s blog post.
Edit 6 March 2018: ‘The Synopsis,’ Jennifer Cruise, Writing/Romance
Composinga CoverLetter
Cover letters are tough. My advice here is don’t get too stressed out. I decided to focus on the other elements, and left the cover letter till last. In a competition scenario you know the judges will read on anyway. I did the best I could, mainly using advice on writing agent query letters from the Writer’s Digest website. This was a big help, but do bear in mind that the reader is different, and hopefully a judge won’t be looking for as much of a hard sell.
A top tip I’ve seen repeatedly is keep your bio section short, especially if you don’t have much of a publication history. Don’t worry if that’s the case. With a competition this is not a huge issue. The judges will know you are an emerging author. It’s best not to bring in work experience unless it ties into your novel e.g. you and your character share a job. Consider how relevant you academic history is too. It’s not necessary to go into your inspiration. In fact, this should be avoided when querying an agent. If you want to include coverage of your inspiration (which might be of interst in terms of contest publicity) in a your cover letter, keep it brief. If the organisers want this info, they can always ask for it.
Below are some resources for writing query letters to agents. I’ve included links to example letters, which should get you started if you’re stuck. The video tutorials are by my favorite YouTuber Alexa Donne.
Literary critics are one source of feedback, but there are other less expensive, or even free, options out there. Keep an eye out on Twitter and on trade association websites for more focussed competitions and feedback events. You may be lucky and find helpful opportunities even in a tight timescale. When submitting my second contest entry, I was able to receive feedback on my synopsis through an RWA Chapter contest, and on my cover letter though a twitter hashtag, namely the #queryswap thread. The feedback from both of these greatly improved my submission. I also now have a critique partner, which I thoroughly recommend. Edit 6 March 2018: Another option is to use online writing group Scribophile but do check how the organisers define ‘prior publication’ and enquire if unsure. If you aren’t able to get notes from within the writing community, do make sure each part of your submission has been proofread by someone else. That’s the level of input I had for the #AmishBlitz. If you can think of a friend or family member who might be able to go further and make suggestions for improvement, don’t be afraid to ask. I was braver the second time round, and asked more people for help. You can do it!
I hope this rundown of my preparation steps and resources I have found has been helpful. Good luck!
*There are my own views/suggestions only. I am not in any way affiliated with Harlequin/Mills & Boon or HaperImpulse. This post simply reflects my personal experience of submitting to their opportunities.
Updated 6 March, 8 & 9 April and 12 December 2018. Updates in italics.
These are the projects I am working on, which need to be completed by the end of the month, if I’m to submit them:
Harlequin Love Inspired #AmishBlitz — Coming Home with a Secret
Fiction Desk Ghost Story Competition — Pádraig and the Bean sidhe
Scottish Book Trust 50-word Fiction Competition — Untitled
Paisley Poems Call for Submissions — Pretty Paisley Print
Eeek. Setting myself a lot of work here, but it’s more of a wish list than a target. My priority is to finish the Harlequin competition. I’ve had a go at the ghost story, but it’s a very rough draft, and whether I go back to it will depend on how much time I have left towards the end of the month.
I’m not entering these competitions convinced I’ll win (although I wouldn’t refuse a prize if offered!). I like the fact that the competitions have given me a prompt, a jumping off point. I see them as a source of inspiration. And the amazing thing about the #AmishBlitz is that as long as what I submit is appropriate for the series, I’ll get editorial feedback. I see it as an opportunity to find out whether my style of writing suits romantic fiction, and hopefully to improve. I learnt how useful constructive criticism can be when I took a Creative Writing class. Whatever happens, I’ll keep writing, because practice makes… well probably not perfect in this case, but hopefully better.
Finding this to be a great resource for competition and calls:
Update, 27 January 2017: Well, I have a first chapter now for the #AmishBlitz but I’d like to add more content. Synopsis has sort of come together. Cover letter was tough! I think I’m going to hold the ghost story over to a different competition, so I have time to properly work on it. I have a poem ready, not sure of its quality though! I’ll definitely be entering the 50-word Fiction competition. Getting there…
Update, 1 February 2017: Slept really late today. Yesterday I managed to submit three out of the four competitions I picked out for myself over the Christmas break. I didn’t have time to get the ghost story into shape so I’ve decided to work on it more and submit it to The Scottish Arts Club Short Story Awards. The final judge for that is Alexander McCall-Smith, who has actually judged my work before. I came runner up in a twitterature competition. A 1,500 word short story is a bit different though…
I made a decision to start over with my #AmishBlitz story. My first idea seemed to translate onto the page as a young adult novel, which was not what I wanted. Also, a large part of it was set in the ‘English’ world and it just didn’t feel right for the competition guidelines. I read and read Love Inspired Amish stories and was able to get a feeling for what might be suitable to sit on the shelf beside these. I changed my title from Coming Home with a Secret to Returning with a Secret. I’m still not sure which sounds best, but in the end, the fact that initially the location of the story doesn’t feel like home to the heroine informed my choice.
Going back to the drawing board felt like quite a big step, but when the contestants on Bake Off or The Great British Painting Challenge do it, it always seems to work out for the best! I think with writing, with pretty much everything in fact, you should trust your gut.
In practical terms, I think what I learnt this month was that it’s important not too spread yourself too thin. I’m glad I identified my priority at the start, and it helped that two of the pieces needed to be concise. I’ve not done much writing yet, but I feel that goals are important. I generally don’t care for business speak, but I do find the SMART acronym to be useful. Goals should be: Specific, Measurable, Achievable, Relevant and Time bound. There are slight variations on the word assigned to each letter, but the gist is the same. ‘Going forward’ I plan to avoid over-stretching myself and identify my main goal or goals early. Time to get the diary out!
I have just started writing a contemporary Christian Romance featuring an Amish heroine. An Amish story is probably not a direction I would’ve gone in without a prompt but I’ve had a little inspiration…
Harlequin are running one of their ‘Blitzes’. This time it’s an #AmishBlitz. A Blitz is a time-limited call for submissions to a particular series. The series is Harlequin Love Inspired. The Love Inspired series features stories which, “show that faith, forgiveness and hope have the power to lift spirits and change lives—always.” They are clean, which is a very good thing as far as I’m concerned. I squirm reading steamy love scenes. I dread to think what trying to write them would be like.
My heroine and hero have introduced themselves to me, and I’m rooting for them. I will have to do some research though. I’ve not even seen Witness! Louisa, my American heroine is Amish, but not yet baptised and my Scottish hero, Andrew, was brought up in the strict Free Church of Scotland. Louisa is in her rumspringa (‘running around’) period. They meet at a ski resort in Colorado. Because I can do that.
A Christian romance in the snow seems like a very suitable thing to be writing at Christmas time!
Update, 1 February 2017. I really enjoyed working in this project but it soon started to feel like a young adult novel. Also, Louisa’s return to her settlement happened too far in. I decided to set it aside for now, and start over for the# AmishBlitz.
I want to write a romance novel, and I want to write it well. Fortunately, there is a lot of help out there.
My primary source of guidance so far has been Harlequin’s So You Think You Can Write (‘SYTYCW’) blog. My first novel, I have decided, will be in the manner of a Mills & Boon, which publisher is now part of the Harlequin group.
Harlequin accept unagented submissions and genuinely want to ‘find new voices in romantic fiction. There is s wealth of advice and tips in the blog, including the brilliant Romance Writing 101 by Grace, a new Mills & Boon editorial assistant.
Not long after finishing a Creative Writing course, I entered a SYTYCW Writing Challenge, got great constructive criticism from a Harlequin edition and felt lucky to be afforded this contact. Previously, I felt that there were not enough writing exercises during my course, and I didn’t feel inspire to write much, which meant I missed valuable feedback from my classmates as well as the tutor. A section of the SCTYCW is specifically given over to the theme of ‘Inspiration’.
